David Salle
David Salle
David Salle
OverUnder Portfolio of 5 Prints, 2021,
(Edition of 20)
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 in
David Salle is a contemporary American painter. A prominent Neo-Expressionist artist, his collage-like paintings feature overlapping imagery from a variety of sources, such as magazines, interior décor, and art history. Born in 1952 in Norman, OK, he earned both his BFA and MFA from the California Institute of the Arts.
Salle's paintings can be found in the collections of the Whitney Museum of American Art in New York, the Guggenheim Museum in New York, the Tate Gallery in London, the Art Institute of Chicago, and the National Gallery of Art in Washington, D.C., among others. Salle lives and works in Brooklyn, NY.
OverUnder is a new portfolio of five prints by American artist David Salle. In these new works a stylized tree vertically bisects the picture plane. A glum man in black and white striped clothes appears to have stopped a woman wearing a white bikini and dark sunglasses. Salle creates a screwball Garden of Eden replete with canonical symbolism and implied moral conflicts. The juxtaposed protagonists are inspired by the works of illustrator Peter Arno, whose cartoons exemplify the sophisticated visual style of The New Yorker magazine from 1925 to 1968.
"A single tree acts as a visual divide or barrier between the sexes, men on one side, women on the other— the ambiguous relationship between the subjects and the sometimes-madcap situations in which they have found themselves ensures that the full story remains just beyond our grasp." -D. Salle
David Salle
(Born 1952)
Born in 1952 in Oklahoma, David Salle grew up in Wichita, Kansas. In 1970, he was part of the foundational class at the California Institute of the Arts in Valencia, where he studied with John Baldessari. After earning a BFA in 1973 and an MFA in 1975, both from CalArts, Salle moved to New York, where he has lived since.
Like many artists of his generation, David Salle initially drew inspiration for his rich visual vocabulary from existing pictures, often from the worlds of advertising and graphic communication. He sought out images that, as he put it in a 1981 interview, “understand us.” Distinct from others of his generation, the mainspring of Salle’s imagery has always been his own photography, the carefully staged and lit scenes that appear in his paintings like telexes from the unconscious. Since the mid-80s, his paintings have continued to expand their emphasis on dynamic, relational composition. A typical Salle painting is one in which the viewer’s eye is kept moving; the structure and placement of images create internal rhythms that pulse with energy. Salle’s paintings often contain allusions to artists of the past – from Velázquez and Bernini, to Picasso, Giacometti, and Magritte, as well as to American art both post and pre-war. However, a catalog of references can be misleading; sources do not a painting make. The meaning of Salle’s paintings lies in the way images are contextualized and presented, with the poetry of their juxtaposition, and, more than anything, with how they are painted.
Salle’s paintings have been shown in museums and galleries worldwide for over 35 years. Solo exhibitions of his work have been held at the Whitney Museum, New York; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, Chicago; Stedelijk Museum, Amsterdam; MoMA Vienna; Menil Collection, Houston; Haus der Kunst, Munich; Tel Aviv Museum of Art; Castello di Rivoli, Turin; the Kestner Geselshaft, Hannover; the Guggenheim Bilbao. He was the subject of solo exhibitions at the Dallas Contemporary in 2015 and the Centro de Arte Contemporáneo in Málaga, Spain in 2016. He has participated in major international expositions including Documenta 7 (1982), Venice Biennale (1982 and 1993), Whitney Biennial (1983, 1985, and 1991), Paris Biennale (1985), and Carnegie International (1985).