Salvador Dali (1904 - 1989)



Salvador Dali (1904 - 1989)

Paradise Canto 22: Angel of the Seventh Sphere from the Divine Comedy
Woodblock on paper
13 x 10.25 in
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Divine Comedy Woodblock Prints

ML 1127 - Canto 22: The Angel and the Seventh Sphere

Woodblock from Dali’s The Divine Comedy 

Published by Foret / Les Heures Claires. 

Print size approx. 13 x 10.25” with a deckled edge at the bottom. 

Print is on BFK Rives paper

Salvador Dali’s signature is in black pencil on the lower right corner, recto. 

Additional Dali block signature on each individual print

This full portfolio from which this work originates, was certified authentic by Albert Field, President, and Founder of the Salvador Dali Archives.

The signature by Albert Field is in pencil on the inside cover of the portfolio, and not on the individual woodblock print sheets of this portfolio. 

The Albert Field signature is circled by the authenticator and dated “14, June 90”.

A copy of this portfolio certification accompanies this individual work.

This piece is in good condition; wear commensurate with age and use. 


Jean Estrade - Les Heures Claires edition:
The edition most familiar with the market is the French edition of The Divine Comedy published by Jean Estrade of Les Heures Claires, Paris.

The total edition size is 4765 sets. Due to some of the sets having two suites, there are a total of 5346 prints of each woodcut. 

Note on Les Heures Claires edition:
Jean Estrade also sold sets of plate signed Divine Comedy woodcuts in three slipcases of which this woodblock print is from this edition. The slipcases were issued in three colors, Red, Purple, Grey. The set came with several pages of text in French describing each canto (Like the German edition, only in French). The tirage page that came with the block signed French sets stated an edition of 500. (Referenced in Field page 192). The woodcuts are on watermarked BFK Rives paper and the only difference between these and the regular French edition is the additional block signatures.

Watermarks:
The woodcut can bear a BFK Rives watermark, or a Les Heures Claires watermark, or no watermark at all. The watermarks appeared only twice per sheet of four woodcuts, two out of every four are without a watermark. The woodcuts can be either forward or backwards and can be viewed by placing the print between you and a light source. The watermark will be visible along the lower edge if there

References:
Michler/Lopsinger Catalogue Raisonne volumes 1 and 2, published by Prestel. Isbn no. 3-7913-1279-0 and 3-7913-1602-8
Field, Albert The Official Catalog of the Graphic Works of Salvador Dali, Isbn no. 0-9653611-0-1

History:
The Divine Comedy by Dante Alighieri remains today one of the pillars upon which the European literary tradition has been built. Originally titled simply Commedia, Dante's masterpiece was written at the end of his life and finished just before his death in 1321. 

Presented in the edition published by Les Heures Claires is Salvador Dali's interpretation of the wonderful and intense imagery that Dante formed through spinning a web of words both exciting and exhilarating.

To celebrate the 700th anniversary of Dante's birth, the government of Italy planned to issue a special edition of The Divine Comedy. For this issue, Dali created 101 watercolors between 1951 and 1960. In 1954, La Libreria della Stato published a brochure with seven of the paintings reproduced full size as lithographs, together with sample pages of the text. The prints are 16 1/2 inches x 11 inches with narrow margins. 

Due to the opposition these prints created, the Italian government dropped the project and postage stamps were issued instead. Several years later, Joseph Foret, in Paris, who had previously published other Dali suites such as Don Quichotte, started production of the prints by wood engraving. 

Master engravers worked from 1959 - 1963 to carve 3500 separate wood blocks for the 100 prints. 

The Divine Comedy project was then taken over and completed by Jean Estrade of Les Heures Claires.



Salvador Dali (1904 - 1989)

In 1929 he was formally invited to join the Surrealist group in Paris. After meeting Surrealist poet Paul Eluard and his wife Gala, he fell in love with the poet’s wife and ran away with her. The following year Dalí and Gala settled at Port Lligat, Spain. In 1934, at the age of 30, Dalí exhibited a group of drawings and engravings inspired by the Comte de Lautréament’s Chants de Maldoror, where he first met Pierre Argillet, a photographer and publisher who would encourage him to publish his visual interpretations of many more auspicious literary works. Argillet himself published many of Dalí’s etchings and drypoints from 1960 to 1973. In 1939 Dalí was formally expelled from the Surrealists for his return to a more classical style and because he refused to support their political agenda. His outrageous statements, such as, "I am Surrealism", further infuriated his Surrealist colleagues, who felt his ego could no longer be contained within the group. In 1940 the Dalís fled France shortly before the Nazi invasion. Picasso paid for their passage from Lisbon to America where they lived for eight years in Virginia, California and New York City, respectively. In the United States, Dalí made initial contact with some of his greatest patrons, and he collaborated with Walt Disney on Destino (finally released in the spring of 2004) and with Alfred Hitchcock on the dream sequence in Spellbound. Upon their return to Europe in 1949 the Dalís continued to live together for two additional decades, but in 1969 Gala moved to Pubol Castle, and permitted Dali to visit her by invitation only. After Gala’s death in 1982, with his muse was gone, Dali’s creative fervor was drastically diminished. He remained an international celebrity, with major exhibitions of his works in cities around the world including Tokyo, London, Paris, Italy and Moscow. Before his death on January 23, 1989, Dalí even witnessed the inauguration of two museums dedicated to exhibiting his art, The Salvador Dalí Museum in Cleveland, Ohio (now in St. Petersburg, Florida) and his own Teatre-Museu in Figureres, where he is buried. Salvador Dali is one of the most celebrated artists of all time. His fiercely technical yet highly unusual paintings, sculptures, graphic works and visionary explorations in film ushered in a new generation of imaginative expression. Salvador Dalí was many things to many people: painter, etcher, sculptor, magician, aspiring alchemist. His parents regarded him as the reincarnation of his deceased older brother Salvador, and they made Dalí his namesake. Living in his brother’s shadow from his birth, the younger Salvador Dalí formed a unique point of view of the world. Visual references to his ever-present, ever-absent brother, the passive figure of a slender man casting a long shadow, would appear in many of Dalí’s works.

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